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October 3rd, 2014

RS_DontBiteTheMessengerWow! So Harlequin (including my Night Runner publisher, Carina press) has added 15,000 backlist titles to a subscription service at Scribd. It’s $8.99 a month to subscribe to a giganta-library of romance and adventure.

As a reader, I consider this a massive value. Seriously, once I stop bouncing and almost-dancing, I’m going to start searching for my favorite Harlequin-family authors.

You can find Don’t Bite the Messenger, my Alaska-based urban fantasy novella, and Running in the Dark, my Chile-based romantic urban fantasy novel, at Scribd.

If you’re leery of this strange new technology called sub-skrip-sheon, you can get a free three-month trial here. How many stories can you read for free in three months? A ka-zillion, that’s right.

What will authors earn from this subscription service? How kind of you to ask. If you read up to the 20% mark or beyond of a story, the author will be paid as if you had purchased the story individually. A good deal for all involved.

Aaaaand…new release news is about to drop for the Night Runner series, so I encourage you to refresh your memory and push it toward friends so you can scuttle about it together soon!


October 29th, 2012

It’s release day for Running in the Dark, the second installment of the Night Runner series and the first novel. Huge thanks to everybody who helped make this book, and to all you readers out there!


This is a crazy week for a release, what with Halloween coming up in a few days. Although, this would make a great Halloween read since it does contain scary monsters.


I’ll be making the rounds with some fabulous book bloggers. Please stop by to read about various aspects of the story’s origins and the writing process, and for your chance to win books!

October 29 – My Bookish Ways

October 30 – Carina Press

October 31 – Candy! (No posts, just candy)

November 1 – Urban Fantasy Investigations – includes giveaway

November 6 – Vampire Book Club – includes giveaway

November 6 – Here Be Magic

November 7 – Red Hot Books

November 8 – Book Lovers Inc.


I may also be having spontaneous giveaways on Twitter and Facebook, so follow or like to keep informed of those!

Purchase Links:  Amazon  –  Barnes & Noble  –  Carina Press

Excerpt from Running in the Dark

October 22nd, 2012


Ladies and gentlemen, boys and girls, Running in the Dark will be released into the wild a week from today. It’s available for pre-order wherever e-books are sold, but for your reading pleasure, may I present the first chapter and a half…


Chapter One


I was driving a clinking, clanging, rusted-out POS that hadn’t been new since I was in diapers. The driver’s seat boasted a rogue spring with bad intentions and the exhaust system had all the dignity of a very old, very drunk man working his way through the world’s most disgusting bucket list.

I didn’t even care, because I was lost.

With half my night’s deliveries still threatening the seams of my courier bag, I turned the Tercel onto yet another unmarked, unpaved road. And lurched to a stop in front of a locked metal gate.

“Camino privado,” I muttered. The industrial area northwest of Santiago was a labyrinth of private roads. I flipped my map over and back, then rotated it sideways to align it to the actual direction the roads ran. The sign across the street was barely visible under the blinking yellow streetlight.

I could have marked the map before I left, could have taken a red felt pen and drawn my route like a—gag—wandering tourist. But that would have made me a pretty poor excuse for a vampire courier.

Vampires, for all their various talents, can’t use technology. Their altered energy, that strange current that keeps their undead bodies ambulatory and brains ticking, is murder on electronics. So they rely on us, human couriers who can drive all night—and during the day, when necessary—between their plush homes, swank offices and blood lounges without allowing ourselves to be tailed or corrupted. Or to get lost. I looked at my watch and felt the line between my eyebrows deepen.

I fought the car into reverse, spun the nose toward the road and ground it into gear. I’d been in Santiago for a month, during which time I’d learned that Chilean water tastes like it was ladled out of a public pool and that I could live happily on empanadas for the rest of my life. I’d also discovered that a city ten times larger than my prior base of Anchorage, Alaska, was more than ten times harder to work in when everything was written in a language I didn’t understand. My Spanish consisted of common words and a few key phrases. Essentials such as “Where is the bathroom?” Lies to protect my real identity, like “My name is Aerin Crane.” And common business phrases: “Sign here, please” and “I’m not for biting.”

I cruised between the darkened hulks of warehouses and faded shipping containers. The passing headlights ahead signaled a major cross street. If I reached that, I’d gone too far. My lips pressed tight together and I shook my head, willing my destination to appear.

And, voilá, a shiver ran down my spine, one that had nothing to do with cold and everything to do with the jittery offbeat current of vampire energy. I braked, turned onto a pair of overgrown ruts with aspirations of roadness, and crept toward a long, one-story building with corrugated metal siding. What should have been a parking lot was overgrown with weeds, and the angular shapes looming in those weeds indicated trash—big metal trash. I parked forty feet from the building. Even though the car sucked, I’d rather keep my ten bucks than pay my employer to replace it. I stepped out of the car, settled my bag diagonally over my body and made sure my laminate ID and clipboard were visible. Those were the official tools of a courier.

Unofficially, I carried a can of pepper spray the size and shape of a lighter, and a six-inch pocket knife, currently in my back pocket and the side pouch of my bag. Couriers are technically off-limits to poaching by vampires, but I’d learned my lesson on how well suckers follow rules.

“Suba las manos, con las palmas boca arriba.” The voice, coming from the shadows stretching away from the high fence, was bored, male and dropping letters from the ends of words. I didn’t have to see him or have an academic knowledge of the Chilean dialect to know that he was lower class. My brain ran a quick translation with my limited vocabulary. Hands out, palms up. I raised my arms outward and pinched the clipboard between thumb and forefinger to comply with the order as well as I could.

“Entrego un paquete. Es para Guillermo.” I’d given the speech close to a thousand times during the six years I ran packages in Anchorage. Saying I was making a delivery and giving up the name of the recipient was my invitation, my protection and my get-out-of-jail-free card all in one. Then one night, two vampire regimes jumped from feud to war, and I found myself stuck in the middle as they started duking it out for the territory. Laminates aren’t effective shields when suckers are on a rampage.

I’d made serious bank as the preferred courier for Master Bronson, the head vampire in the Last Frontier. Almost enough to retire on. In the process I’d gained a reputation as the one runner in Alaska who couldn’t be corrupted. But when the bloody game of capture the flag took off, it turned out I was part of that flag. The insurgents went after the humans Bronson trusted to run his business, which included me since I delivered his messages and orders. I don’t like being a target. Thankfully, things were calmer in Santiago.

It was, technically, another of Master Bronson’s territories. He ruled the undead here just like he did in Alaska. But while he’d been fighting off the attempted coup back home, the suckers eight thousand miles to the south thought it was a fine time to try to gobble up pieces of Bronson’s Patagonian empire.

“Guillermo no está,” the sucker said, now right behind me. The hive leader wasn’t there. I’d heard that a lot in the last two weeks.

Since there were no other vampires with a master’s strength in Santiago, power had splintered rather than shifting. Unaffiliated vampires—those who had been disowned or were set adrift when their makers died—formed hives together. If Bronson were here, his power would draw the orphans who sought protection and cow anybody else. But in defiance of the normal seasonal vampire migration, he’d stayed in Alaska, and the ambitious were making moves. The stronger suckers and their gangs skirmished over a few blocks here or a stake in a blood lounge there. Vampires were changing allegiances nightly.

And Guillermo was no longer ruling this poor hive. I wouldn’t care, except I needed a signature. The package wasn’t designated His Hands Only, so Guillermo’s usurper or successor would do just fine.

I asked for the new guy, or anyone with signature authority, then swiveled until I spotted the male I was talking to. He had two hands. Surely he was capable of signing. The vampire crept up, his energy buzzing against me like an electric razor.

“Who is it from?” he asked through a thick accent. I tilted the clipboard and squinted at the “sender” line.

“Goya Worldwide.” I frowned. Vampires tended to go by first name only unless there were several of them with the same name—which was surprisingly infrequent—or if they weren’t affiliated with a master. I rarely delivered anything corporate. He made a low sound, impatience or frustration, but didn’t come any closer.

“What will you do if you cannot deliver it?”

“Anyone can sign for—”

“And if nobody does?”

“Then I come back tomorrow night,” I said cheerfully, like I believed the customer was always right rather than exceedingly frustrating. “Can I put my arms down?”

His curse was barely audible, but enough to alert me that something was off, way off. Suckers might get irritated by their deliveries the same way I get irritated by junk mail, but that doesn’t stop me from going to the post office. Power brushed against my right side and I turned on my heel as a new vampire joined us. Great, a welcoming committee instead of just one ill-mannered sucker.

Suckers emit an almost static-electric feeling, constant rather than a shock. It’s uncomfortable, and cold, and most humans don’t feel it so much as sense there’s something not right about the person generating it.

Thanks to dear old mom ingesting vampire blood while she was pregnant—a scientific no-no—I’m acutely sensitive to vampire power. Luckily, I can also resist them when they try to charm-slash-brainwash me.

“You may lower them.” The female spoke English with a British accent, and as she walked into view, I lowered my head along with my arms to hide my smile.

I dress up for a reason, baggy clothes to hide my true size, dyed hair—a phenomenal pine-green at the moment—to disguise the color, and theatrical makeup to alter my appearance. I changed it up nightly so that if I needed to bolt, I’d have a chance at getting away without being recognized. She, however, was distinctly dressed like the lovechild of Stevie Nicks and Little Red Riding Hood. There was a lot of floppy red velvet and feathered black hair going on and it didn’t appear to be a disguise.

“Thank you, ma’am. Now, if I could just get a signature, I’ll be on my way. The delivery was scheduled for tonight, and the sender is one Goya Worldwide.”

She smiled, but as she moved toward me I had to force myself to hold still. The male circled around, moving like a vampire should, quick and quiet. She, on the other hand, lurched, all hunched forward, arms twitchy inside her cape as if she was having trouble with her balance. The male murmured, and her eyes narrowed. She snapped at him, straightening slightly so that, in the beams of my headlights, I saw her belly, grotesquely distended. Like she was about to give birth to triplet ponies. I didn’t want to—couldn’t—imagine what she’d done to get that way, so I concentrated on the male instead.

He was massive, barrel-chested in what looked like a threadbare gondolier’s shirt. And he had muttonchops for days. The truly impressive kind, black and really puffy. They argued, paying no attention to me, until the vampiress raised a hand and screeched a command. Despite the tattered display of power that accompanied her words, he lowered his head in submission. I almost felt bad for him, being yelled at in front of a human. She turned to me.

“Give it to me,” she demanded, opening and closing her hand like a compulsive puppet. I offered her the clipboard, keeping my gaze above her belly but below her eyes.

“Sign here, please.”

She slapped the board with such force that something in my wrist popped from the effort of holding it. My right hand tripped around to my back pocket and I swallowed hard. Keep calm. Stay professional. She began panting, and heat emanated from her like she had a fever. Her eyes followed the kohl line down the center of my nose, the ribbons that arched over my brows and back down to my cheekbones.

“Brujita, tú no sabes con quién te estás metiendo. Aquí mando yo. Dame el paquete.”

I didn’t catch all of it, but the bravado spelled it out just fine. You don’t know who you’re messing with, you little witch. Give me the package. Blah, blah, blah.

“All I need is a signature and you can have your…”

She raised a hand, focused, and tried to will me to release the package. Blotches of cool power pressed against my forehead, and I stiffened in anticipation of it exploding behind my eyes. But…nothing. Her glamour—a vampire trick to temporarily alter a human’s reasoning—didn’t even make contact with my mind. She was talking the talk, all arrogant and snappy, but she clearly didn’t know what the hell she was doing.

Not that I was going to tell her that. My top three rules of survival all used to involve not pissing off vampires, but the bastards didn’t seem to care how careful I was. Now, rule number one was that nobody could find out I couldn’t be influenced. Not vampires, not humans, not anybody.

So here I was, running late on the night I’d promised myself I’d finally make it back to the shop on time. And then she pulled this shit. I couldn’t “obey” her glamour nor could I laugh off her feeble attempt to influence me.

I swayed a bit to make it appear I was affected and—drama queen that she was—she raised her other hand. The cold force of her will crawled across my forehead and dipped toward my ears, dampening sound and making my teeth tingle like I’d bitten aluminum foil. According to the laws of vampire conveyance in Chile, she’d already assaulted me—the clipboard being a designated extension of the messenger. Plus she’d called me a little witch. Now she intended to crush my puny human mind like a peanut shell. My lip curled.

I pulled the canister from my pocket, flicked the cap off and sprayed. I jogged backward, because that shit goes everywhere and my plans did not include spending the rest of the night a red-eyed mess with no control over my mucous membranes. The suckers skittered away into the dark, which would have been spooky except I could hear them coughing and gagging and scratching at their faces. I hadn’t even aimed it directly at them.

“Last time,” I said in a tone I’d never have used with a vampire who had real power. “Somebody signs for this, or I mark it undeliverable as addressed and incinerate it.”

Stevie Hood stomped back into the glow of the Tercel’s headlights, grabbed the board and scratched out a single name, Livia. The inside of my nose began to burn and I blinked hard as I extracted the padded envelope from my bag, double-checking the address. Livia took it, and I backed up a couple more steps as the pepper cloud wafted toward me.

She stared at the package, turning it slowly in her hands. The blood-flush drained from her face. Maybe I’d used too much. Maybe in high enough concentrations, pepper spray was toxic to suckers, with their heightened senses.

I’d be in so much trouble if I killed a vampire on the job.

She looked at me and her fangs dropped. I stopped breathing. Then she turned her head, as if to call over her shoulder, and vomited a stream of blood. I leaped back with a startled yell. The other vamp darted away from the slat fence he’d been leaning on, and held Livia upright while maneuvering to avoid her line of fire. She heaved out a couple more pints, then wiped her mouth on her cape. Her shirt rode up and I nearly gagged at the sight of her belly, the veiny skin stretched so tight it was nearly translucent. Her giant gondolier picked her up and carried her to the low warehouse.

The door slammed, then squealed as it swung back open a few inches. The blood on the ground steamed in the cool air. Creepy. I climbed into my car, set my bag on the passenger’s seat and aimed for the next address on the list. I’d expected a silent, scary entourage engaging in icy intimidation and sly attempts to deceive or seduce. I’d gotten a powerless glutton with bad fashion sense and no manners.

They weren’t making vampires like they used to.



I pulled into the garage of Carla’s Mensajero y Correos at a quarter past five in the morning. Not only wasn’t I late, mine wasn’t even the last car in. I resisted the urge to squeal with joy and commando roll over the hood of the car. Yeah, my self-control is pretty stellar. Or maybe I just didn’t want to be fired for idiocy.

Carla squinted through the window between the garage and office as she talked on the phone. Her eyes went from the car to my bag and back again, searching for a reason for me to have returned early. She was somewhere between a hard forty and mild fifty, and had converted the repair shop she’d inherited from an uncle into a low-security courier shop.

During my interview, she alluded to having been a runner herself, but she was fairly calm and very feminine and, every once in awhile, talked down to us in a way that indicated she had no idea what happened on the streets after dark.

She was a fair enough employer so far, though the rules in Chile were different from those in the States. Runners here worked the same number of hours—low—and earned an hourly wage, also low, with bonuses for completing express deliveries. Since I was the new girl, I got the milk run. For me, nothing was urgent, which meant nothing paid well.

The building boasted a small, bright office and three car bays. The traps in the floor had been covered over, though the last bay—mine—still had a working lift for quick repairs that didn’t require a real garage. Which is where Mickey the wonder mechanic came in. Mickey, who was wandering toward me with worry in her big, brown eyes and a greasy rag in her small, strong hands.

“What is wrong with the car, Aerin?” Mickey’s real name was Maricela, but only Carla called her that, and only when she was angry. She spoke excellent English, which I’d discovered when she’d handed me the keys to my car, then proceeded to describe the myriad defects. “It does not work?”

“Running just fine.” I bit the inside of my lip to keep from grinning as I pulled the clipboard from my bag and headed for Carla. Behind me, the hood release popped.

“Fine?” Mickey asked. “She is never fine. Why does the inside of the car smell like lemons?”

“Olfactory camouflage,” I said. I’d slathered my clothes in oregano, aquarium water and furniture polish before coming to work. Even though Carla wasn’t big on her runners hiding their natural scents from the local vamps, I kept it up. She thought the odds of a vampire crossing a runner’s path outside of work were too low for it to be an issue. Vamps track blood best of all, but their senses are good enough that they can identify humans by scent. Evasive driving and disguises might keep humans from following me home, but suckers require a bit more effort, effort I was absolutely willing to make. Someday I might even find something that didn’t make me want to tear my clothes off and bathe in a public fountain by midnight.

My grin slid away as Jacinta, Carla’s longest-tenured runner, glanced up at me from a battered love seat in front of bay one. “You forget something, novato?” Jace asked, swinging one long leg off the end of the couch. She had a good four inches on me, putting her somewhere around five foot ten, and was built solid. She wore her hair in a long, well-conditioned ponytail over shorn sides, and had a talent for skeletal black-and-white makeup. In a black leather bustier, she looked like a Halloween warrior princess with a pug nose.

She also had something I wanted, the premium route. She got the best—meaning most lucrative—of Carla’s regular deliveries, as well as first choice on last-minute calls. I had a pile of scraps and no say. Of course, I was working under an assumed name and hadn’t presented any references when I applied, so I didn’t have a reputation. Yet. Tonight was step one in changing that.

“Thought I’d knock off early and come see how the other half live.” I stepped over her leg when she wouldn’t move it. The door to bay two opened and Tilde’s white Peugeot rolled in behind me.

Carla surged through the office door, her silky turquoise skirt swishing, her plump caramel arms pumping. “Aerin, you cannot return until you have finished the entire run. If you have trouble, you call and we figure it out. How many are left?”

I slid the signature sheets off the clipboard and handed them over without taking my eyes off Jace, who sniffed dismissively. But not before I saw the concern in her eyes. Jace was top dog but this was a small shop, and while I hadn’t seen her drive, she seemed sloppy.

Sloppy meant picking up a tail and leading fang-bangers or rival gangs to customers, or forgetting to switch your plates and getting jacked by punks seeking to intercept or ransom correspondence. Sloppy meant letting vampires know your weaknesses, which was the same as giving them a means to corrupt you. Sloppy meant dead, or good as.

Jacinta was bright enough to sense her position might be at risk, so maybe she’d step up her game. Mickey wandered up, wiping at a smudge on her cheek with a rag. She peeked over Carla’s shoulder, then grinned at me.

“Well done! Drinks are so very much on you tonight!”




Chapter Two


“They call us witches, even though they know we’re nothing like those sangijuelas de mierda,” Jace slurred.

“Motherfucking leeches,” Tilde translated pleasantly. Carla and the other runners defaulted to speaking English as a courtesy to me and Tilde, since she understood English far better than any of us spoke Swedish. But every once in awhile they dropped phrases that baffled my dictionary.

I smiled my thanks and glanced around the bar. The people who quickly shifted away from my gaze weren’t a problem. Regular people didn’t tend to stare at messengers. Jace raised a finger and pointed at me

“Are you listening?”

“Oh, totally. This is fascinating.”

“You know, my brother really is a witch.” She nodded to herself. “He could show them.”

“He’s no brujo,” Carla said conspiratorially. “He was a computer hacker. Got caught by Interpol. Now he lives with his mother with a…” She set her foot on the seat of my chair and wrapped both hands around her lower leg.

“Ankle bracelet?”

“Sí, sí.” She clinked glasses with Jace and Tilde. They each downed a shot. Carla let out a little squeak. Jace shook her head rapidly, then tossed her head back and howled. I shifted, glancing around from beneath my lashes. Low profile, that was us. Tilde merely licked her lips. She was waifish, with a white-blond pixie cut, but she was matching Jace shot for shot. The tiny Swede could drink.

“Why do they call us witches?” I asked around the mouth of my beer bottle. Carla rolled her eyes.

“Not us. I am a businesswoman.” She waved her hand as though shooing off a bug. “It’s a name for messengers.”

I narrowed my eyes. There was no way she’d ever handled a run in her life. Veterans of the job didn’t dismiss it, and those who’d tried and couldn’t cut it were either bitter or awed, never scornful.

“The Spanish—the Catholics among them—back then believed that vampires were devils, and that any who consorted with them and lived must be enchanted. Really, it was because certain humans were in business with vampires and not giving the church a…a…”

“A cut? A percentage?”

Sí. The name remained when humans began working as couriers. You were not called such things where you come from?” She asked the question lightly, but her entire body focused on me, shoulders arching forward, eyebrows rising in encouragement.

“No.” I made a show of shaking my empty bottle, seeking a distraction. As if on cue, Mickey ejected out of the tight crowd. She landed at the table with another couple of beers and my change, which turned out to be the same bill I’d given her.

“What, did you steal them?”

“A man bought them for us.” She squinted toward the bar, then waved to someone. “He asked if he could speak to you. He is very polite. A gentleman.”

I turned and caught sight of a tall, slender man with light, reddish hair. He was handsome, almost pretty, with blue eyes so bright I could see the color across the room. He sipped from a short glass of amber liquor, seemingly oblivious to the slosh of the late-night crowd. A chill ran through me and I grabbed the edge of the table to anchor myself. The population was higher in Santiago than in Anchorage, so there were more of them, but it was still a surprise every time I noticed a vampire. A lone vampire, anyway. They tended to avoid human establishments, and when they did go out, they usually went in groups. That always brought to mind images of animals on the hunt, but in reality the groupings probably had more to do with self-preservation. They might be faster and stronger, but humans outnumbered suckers thousands to one, and they weren’t exactly popular.

This guy just looked like he was stopping off for a nightcap on his way home. He turned back to the bar and I glanced at Mickey, wondering if she had unwittingly been glamoured by the vampire. She shook her head and pointed farther to my right. A stout man with a mullet glowered imperiously back at us from over an abundance of chest hair. He winked. I choked back a laugh and jabbed the neck of my bottle into Mickey’s ribs. She whimpered dramatically and fell into Carla’s lap.

“If he is a gentleman, then I am a fucking fairy princess.”

Hear Ye, Hear Ye

October 20th, 2012



Running in the Dark will be released by Audible as an audiobook alongside its electronic release in a couple of weeks. I will admit that this – the idea of people listening to my book – makes me even more nervous than people reading it. It’s got adult situations, people. ADULT. And CURSING. And peculiar little turns of phrase that I amuse myself with but think most people will just glaze past without pausing. But now those are going to be IN YOUR FACE. Or, your ears anyway. In your head, let’s leave it at that.

So, for as little as $7.49, you could have six+ hours of story told TO YOUR HEAD. Yes, I’m a little worked up about this.



Writing at a Distance

October 2nd, 2012


I assume that most people, like me, wish they could travel the world. Things get in the way, obligations and lack of funds being the main obstacles, which is why we also spend hours at a time scheming about stowing away in steamer trunks fitted with rebreathers and discreet but efficient waste management systems.


No? Just me?


Because we do not have unlimited monies, we watch TV shows and movies, and read books and magazines that – for an hour at a time– transport us to another place. It might be another city, another country, another time or another world.


There is an art to creating or framing these locales.


Spill all the details you’d take in if you were actually in one of these places and the reader is overwhelmed. The journey becomes an endless checklist of sensory overload. Too little description and the reader floats adrift, pulled away from the familiar but not yet tethered to the new.


I tend, as a reader, to like more details in science and historical fiction and less in fantasy and contemporary. Maybe it’s because the fantasy and contemporary stories I read lean toward a quick pace and strong voice, and copious details can diminish that. Maybe because – forgive me, wonderful world-builders – I don’t care about the world at large. I care only for how it’s going to affect and constrain the characters.


This is not to say that I don’t appreciate immersive travel writing. I do. Give me Paul Theroux’s Dark Star Safari or Michael Ondaatje’s Running in the Family (a creative family memoir, but to me it counts as destination writing) or the two-punch combo of Anthony Bourdain’s culinary travel writing and TV shows. These authors don’t jaunt around the world so much as submerge in a place within minutes of landing, then dig themselves out and rattle introspectively on to the next place.


I can find the landmarks and historic sites on my own. Castles. Battlefields. Monuments. I can memorize the names and dates and mumble appreciatively about the condition they’ve been restored to. I don’t need the writer for that. I need the writer to feed me bites of every day minutiae, to turn a corner and reveal the things I can’t find in the guidebooks. The places where cab drivers grab lunch in between fares. The nature of the night life and the after-hours scene. Are there underground coffee shops that also sell lap dances at four in the afternoon? Is there an entire quarter of the city separated from the remainder by invisible lines of language and culture? Can you pump your own gas? Is the air always tinged metallic by a nearby refining plant?


CC Photo Source:


Running in the Dark is set in Santiago, Chile. This is roughly eight thousand miles from where I sit today, and from where my main character, Sydney Kildare, started her journey. Syd’s a runner, a courier for vampires who mostly works at night.




She’s never been to Santiago, but she’s a professional so I approached my research on the location the way she would. I mapped the toll roads through and around Santiago. I researched bus and subway schedules. I read translated community pages written by citizens concerned about the state of the roads in their towns.


Then, because I didn’t want this to be a story of South American urban road systems, I branched out. Like much of the Americas, pre-nation Chile was “discovered” by Europeans on a mission that had nothing to do with the interests of the people already living there. It also endured a military coup in the 1970s, the savage aftermath of which continued through much of the ‘80s. These were sad, stirring and ultimately interesting events to twist as I integrated the vampire presence into human history.


As Sydney’s definition of ancient history is “anything that occurred more than a week ago”, I focused more on the present than the past. I watched music videos by local bands. Bands love, love, love outdoor street scenes, and so long as they aren’t Lady Gaga-dramatic, those scenes are useful. Curiously, ascertaining whether they were filmed in Santiago was the most difficult part of that piece. I watched House Hunters International to get a feel for interior fixtures and appliances. I read the blogs of Americans who’d recently traveled to Chile, and Santiago specifically, picking out a few things that stood out to them as first-time visitors. A certain kind of pottery. The alluring scent of dirt-cheap food stands.


And then I pared down the hundreds of details to a couple dozen, some of which are shown in Running, most of which occur in the background. Did I do Santiago justice, reveal her inner secrets and points of pride? Absolutely not, but this isn’t that kind of story. Do I now want to spend a month there, winding and eating my way through the streets? I’m prepping my steamer trunk now. Want to come with?

Cover Reveal: Running in the Dark

August 13th, 2012

I am tremendously pleased to present the cover for Running in the Dark, the sequel to Don’t Bite the Messenger.


Those of you with keen eyes, or those of you who regularly circle Anchorage by air, will notice that the city on the cover is not Anchorage, Alaska. Not even close.


Santiago, Chile

After surviving a vampire turf war in Alaska, vampire courier Sydney Kildare is back behind the wheel and working under an assumed name in Chile. She doesn’t speak the language, doesn’t know the city and—worst of all—has to drive a crappy car.

What she does have is Malcolm Kelly, her sort-of boyfriend and manager of the city’s vampire population. But with Malcolm preoccupied by bloodsucker business—and a gorgeous vampiress from his past—Sydney feels more alone than ever.

But Sydney has more than her love life to worry about. She’s got vamps on her tail, mysterious deliveries that leave death in their wake, and old enemies targeting her to get to Malcolm. Turns out he’s got a history more deadly than she ever imagined, and she’ll have to use every skill in her arsenal to stay alive…


This is the feel-good story of what happens when you think you’ve found Mr. Right only to discover that he’s got baggage. Cruel, angry, resourceful baggage. And I might be kidding about the “feel-good” part. Being an outsider is hard. Being an outsider surrounded by monsters is even harder. Think Syd’s up to the task? 🙂


Running in the Dark will be released on October 29th. It is available for pre-order from Amazon and Barnes & Noble.

News on Upcoming Release. Also, Bad Analogy

April 24th, 2012


I’ve finished the major developmental edits for Running in the Dark, the sequel to Don’t Bite the Messenger. Running is a novel, whereas Messenger was a novella, a meal versus a snack if you will. Both made with quick, slightly steamy, rather bloody ingredients. Am I taking this analogy into disgusting territory? Probably.


This doesn’t mean that I’m kicking back with my feet up until the book comes out. Far from it. There will likely be another round of edits, then copyedits, then promotion, the last of which uses a part of my brain I generally don’t acknowledge and therefore find exhausting. And scary. And thrilling. Book bloggers and reviewers (I learned when Messenger released) are some of the nicest, most passionate people out there. But they’re also the first to expose my work to the public, and therefore they give me heart palpitations. In a good way. 🙂


I’m also writing a story for a side character who is introduced in Running in the Dark. She has inspired strong positive feedback – emphasis on strong – from readers, and I find her fascinating. I expect this companion story to be novella length, and I’m writing it in a paranormal romance style, third person with alternating hero and heroine viewpoints. It’s also going to be hot. Did I mention that? No? *nods* Hot.


Running in the Dark is currently slated for an October 29, 2012 release date, from Carina Press. I’ll add updates as the cover art is revealed – I’m really looking forward to that since I think Messenger’s cover is stunning – and as it becomes available for pre-order.